Aik Pal
Alvida
Ashk
Aunn Zara
Besharam
Bilqees Kaur
Bin Roye
Bunty I Love You
Chup Raho
Daastan
De Izajat Jo Tu
Deewana
YE Del Mira Hum TV is an exciting romantic TV series. Reza Mir and Sajal Ali era in the leadership role. The drama is loved by the public so far and has collected many praise. Adnan Siddiqui and Rabya Bout are also part of this drama. Rabia Bout posted a picture of a scene from the Yeh Dil Mera sets that had been cut off from the drama because Hum TV did not like to show violence against women. Yeh Dil Mera has all the ingredients for a classic Gothic romance: Amaan (Ahad Raza Mir), an injured hidden heroine who knows very little about a girl he just met, Noor al-Ain (Sajal Ali), a dynamic heroine inhabited by nightmares of her past and a loving but slightly sinister father figure, Mir Farrukh Zaman (Adnan Siddiqui) .The blend of this all-powerful drink is the new Ahson Talish director from the famous Ramadan month program Suno Chanda. Despite some capricious modifications, the first episode was an instant hit, as viewers previewed one of Pakistan's favorite drama films The Couple, A Reza Mir and Sajal Ali, who created a recent outing in Yakin Ka Safar like this buzz. The duo returned on TV after the fans admired the Yakin Ka Safar. The second episode was smoother and set a tone of serene mystery with a breezy romance ith not often seen on our screens. Although no Pakistani play is ever permitted not to attend a wedding, the focus is reflected in the usual praise be to God who marries the narration in our series. This is not only a great play to watch, nor does it rely on the usual retrograde stereotypes to connect its audience. For example, Noor Al-Ain's frequent nightmares are not ignored; her father actually cares enough to transfer her to a psychiatrist (Syed Muhammad Ahmad).YE Del Mira.
YE Del Mira'The doctor reminds the feared father that mental health is like any other health problem and may require long attention of a specialist. Although medications can certainly help, having regular consultations to understand and manage the issue is also important. However, Nour Al-Ain's fears are not necessarily rooted in the disease as much as they lie in the childhood trauma of her dreams. Despite this, her overprotected father refuses to admit that his daughter has gone through anything other than her mother's death. Just like Aman, there is more to Mir Farukh Zaman than meeting Al Ain. Adnan Siddiqui is the master of his profession, and he is able to express anxiety and love through an advantage that feels threatening rather than comfortable.
The high-end businessman who can make a boy bother his daughter to be beaten in a matter of moments, is an interesting mix of love and controlled violence. Adnan Siddiqui and Sajal Ali also worked in Bolly, and my mom starred the late singer Sri Devi. The magic of Reza Mir's reign is so easy for Aman, a handsome young businessman with his agenda. I liked the smart way in which each of his encounters with Noor Al-Ain is calculated to keep her out of balance. Her shades in college, then friendly again at the golf course, didn't seem like a quest at all. However, what seems cliche and cliche is his secret piano. There are ways to present this thing so that it doesn't look cliche, but director Talish seems to be appearing in the picture. It is clear that playing the piano and background song are important to the story, but the "less more" approach may have a greater impact.
YE Del Mira'Heroes managed to be a brood and mysteriously attractive with a few lines of poetry and a moment of contemplation, but I think there was only a Kazami rats. In this digital age, we will work to reconcile Mir's most expressive ways. Farhat Ishtiaq's romantic style of playing well; Aman provides Noor Al Ain with a quick drawing of her at Qiran, asking her not to cover the sign under her chin because it fits her, all moments of quiet intersection that makes the story sweeter than the long conversations. Sajal Ali is doing well with Mir and like all the heroes of "Ishtiaq", she is on the brink of intelligence without indulging in the "Hollywood Larky" Cup. Ali is a strong performer but she kept a slight light touch of the eye light, which fits this type very well. The narration is well placed, and to date, each episode has provided evidence of moving the story forward. While "Ishtiaq" is famous for her romantic novels, I have always found original cinematic shows like "Rahai" and "Audari" much deeper and well planned compared to her opinions. Yeh Dil Mera seems to be another powerful story, untied by the book's editing requirements. Ye Dil Mera landed in controversy two weeks ago after an impressive trailer appeared showing the main championship fans, Aman and Noor ul Ain joking improperly on their way through a job interview. Many social media users described this offer as an example of sexual harassment that was normalized as friendship. Although the air has not been completely cleared, those scenes seem to have been taken out of context and both have to do with any such reaction that takes place.
The high-end businessman who can make a boy bother his daughter to be beaten in a matter of moments, is an interesting mix of love and controlled violence. Adnan Siddiqui and Sajal Ali also worked in Bolly, and my mom starred the late singer Sri Devi. The magic of Reza Mir's reign is so easy for Aman, a handsome young businessman with his agenda. I liked the smart way in which each of his encounters with Noor Al-Ain is calculated to keep her out of balance. Her shades in college, then friendly again at the golf course, didn't seem like a quest at all. However, what seems cliche and cliche is his secret piano. There are ways to present this thing so that it doesn't look cliche, but director Talish seems to be appearing in the picture. It is clear that playing the piano and background song are important to the story, but the "less more" approach may have a greater impact.
YE Del Mira'High-quality dramas like Yeh Dil Mera, Alif, Khaas and Ehd-e-Wafa look like breathing fresh air in the year that started out with very retrograde dramas like Qaid, Do Bol, Ab Dekh Khuda Kya Karta Hai and Hasad. Nausea, made for great rankings despite its problematic content. Although it may be a testament to my optimism from reality, we may be able to offer our producers a thank-you-and-noon voice to make the effort to bring up positive stories without the usual regular events slipping forward this season. The fact that core fiction like Mere Pass Tum Ho requires her team to release a lot of controversial statements to prepare a very ordinary project tells us that dramas like Yeh Dil Mera succeed without this kind of noise, because it's just a good TV.
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