Mere Pass Tum Ho ARY Digital Drama | Pakistani Romantic Drama

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Pakistani  Mere Paas Tum Ho is a romantic TV series of 2019, by Humayun Saeed and Shahzad Naseeb produced ,under the slogan of their production six Sigma Plus. It was directed by Nadim Beg and written by Khalil Rahman Qamar. The movie features Humayun Saeed, Ayza Khan and Adnan Siddiqui in leadership roles. Stories of marital infidelity, the second marriage, and the "bad" woman are standard fare. To make things clearer, writer(Mere Paas Tum Ho) Khalil Rahman Qamar admits to writing the same story earlier as a TV signal, but perhaps most are the starker similarities with his former serial serial counterpart Zara Yaad Kar, Tau Dil Ka Kiya Hua.Mehwish (Aeyza Khan) and the

Danish (Humayun Saeed) They are a middle-class couple with a love marriage and a son named Rumi and an apartment in their credit. After two or three episodes, the beautiful Mehwish is clearly fed up with the argument with chariot drivers over a few hundred rupees and dreams of diamond necklaces - well above her husband's salary.Mere Paas Tum Ho

Channel:
ARY Digital

Star Cast:
Humayun Saeed
Ayeza Khan
Asad Zaman Khan
Mohammad Ahmed
Adnan Siddiqui
Hira Mani
Mehar Bano
Rehmat Ajmal
Furqan Qureshi
Writer:
Khalil-ur-Rehman Qamar
Producer:
Six Sigma Plus
Director:
Nadeem Baig

Mere Paas Tum Ho'The temptation was introduced in the image of Anoshai (Mihar Bano) inappropriately luxurious friendliness and met with wealthy CEO Waseem Shawar Ahmed (Adnan Siddiqui). After spreading some indecision and flirtation, Mohysh starts sleeping with Shahwar, which their makers have done to clarify the harsh details that Pakistani censorship laws allow. After the horrific episode of Shahwar and Mahwish's betrayal, questions about the "bedroom" portraits "and the sudden appearance of a knight's rosette like an unwanted rash in every other conversation about the program. While the bad guys enjoy moments of victory, unlike most supporters in such situations, Danish She is the recipient of global acceptance and sympathy.
In fact, he becomes a millionaire overnight by quietly investing in Shahwar and his friend literally forcing him into a partnership in his brokerage firm. After Mohhoheesh abandons him, Danish's lucky streak is so amazing that he also gives him immediately A new love of interest and replacement of Rommy's mother figure In the image of Hania (Hira Mani). Balancing the character of "Mehwish's" Evil Girl "gives Ritter Hania, an ordinary" good girl "who (of course) has a new face, never married - and despite her father's history of treason - she has no Trouble communicating with a divorced man or slipping into the mother’s role for Jalaluddin Rumi.

Mere Paas Tum Ho'First, it is a victory for marketing, starting with a provocative interview from the master of rhetoric and corruption, the author Khalil Yur Rahman Qamar, who infamously declared that a man could not resist a woman seducing him. Just like Mahwish, Shahwar broke his marital promises as well and strangest also Mahwish. In all respects, he was guilty like her, but no one describes him as a cheap and worthless man.Not surprisingly, the statement caused a stir on the Internet. This was followed by a similar but more subtle push of the same message by actor Adnan Siddiqui, who ignored his elegant shoulders and explained that his Shahwar personality was just like any man, in search of "opportunity". , Lies in the female personality to accept his offer on an affair affair. Both statements are a false and wrong condemnation of men, but more importantly, they reveal a frightening common mindset that the burden of guilt in moral lapses rests with the woman, not the man. What a useful excuse for rapists, harassers, and adulterers, who can say: "You tried me and couldn't help myself, I am a man, I have no control over myself." A young man actually argued this point with me on Twitter, and announced that if a man could maintain restraint, it was because the woman was not pretty enough, echoing my friend's friends and a moon, and then the infamous "Takai Ki Urat" dialogue came; of course, Pakistani social media took the bait.

Mere Paas Tum Ho'From the impressive statements made by men angered by "feminists" to angry young women that the character who strangled her husband and abandoned her child was "governed", social media became a battleground. The post-truth era, full of information but little precious clarity, the real questions that the masses should have asked themselves have been forgotten in a haze of exciting reactions. No culture on earth condones or celebrates adultery. Indeed, the universal disapproval granted to those who cheat on their wives is virtually ethical among every culture. This disgust is so strong that even people who cheat a person dating back to monogamy are considered scum, so judging Mahwish was not the problem. The problem was not the judgment of Shahwar. Just like Mehwish, Shahwar also broke his promises of marriage, as he seduced Mehwish. In all respects, he was guilty like her, but no one describes him as a cheap and worthless man. Men watch more than women passing through Bass Tom Ho, and that's not surprising because the show flips the usual Pakistani conspiracy line by making a man a victim of marital infidelity.The episode showing Mahesh's departure is a brilliant vision of this view: Denmark's wrath over a shaky is slow. He is very polite and very practical, asks silently about the keys and various housework in order for the pain and anger to boil naturally and aims to insult one little of his lost wife. He continues to contact the owner and insists on offering tea to. There is a disturbing atmosphere of negotiation and dealings in their conversations, as if the Danish delivered a freak. When the Dane finally gets angry with Shahwar, it's not because he cheated with Mehwish but he threatened to take away Rumi. In another episode, Shahwar warns Drunk of Mehwish not to pray because "God does not like women who get divorced" and once again reinforced these unbalanced morals. This week's episode showed that Shahwar finally received his compensation when his wife, Maham, appeared in the form of a strict-looking "Savera Nadim", to send him to prison on charges of fraud. Her conversation with a maniac begins with a slap in good standing, and an end to the late marriage between the adulterous couple before he begins. Just as in the past takkay ki aurat dialogue, the slap was celebrated by social media as deserving of it. It is part of providing chaska factor to give audiences front row seats for the type of divorce issue in masalaydar which is usually described by gossip and half whispering facts on quiet corners, Meray Pass Tum Ho is a well-made solid drama with some excellent shows and a sharp trend.Mere Paas Tum Ho

Mere Paas Tum Ho'Humayun Saeed reminds us again that he is a really good actor and can communicate with the audience with every sigh or smile. Her cold, self-centered photography is flawless, and I especially like underestimating some scenes that reduce melodrama but increase impact. Adnan Siddiqui is, well, Adnan Siddiqui - an incredibly talented actor and master in his career. Banu's skill as a "bad influence" has already provided very little light: out of all the characters, Anuchai appears to be the most natural. We all love her and our pleasure with barely hidden difficulty - we were surprised and surprised, but nonetheless curious. Savera Nadim plays the wife of Shahwar's wife who returns from America to extradite him for fraud and money laundering. , The script is pulled at times and despite some strong and powerful episodes, there has been some slowdown so predictable that it's important to watch. The director Nadeem Baig is one of the best programs in Pakistan, and his disciplined touches are the magic of instilling a lot of tension and suspense in this drama. So, why contaminate a well-made drama with this misogyny in interviews and dialogues? Meray Pass Tum Ho is hugely popular, but the subliminal messages men enjoy in one way or another of moral responsibility are a serious mistake and must be challenged.Mere Paas Tum Ho

Mere Paas Tum Ho'This situation is not new - just look at the ending of "Denial" on Home TV: The heroine forgives the villain who tried to rape her, harass her, stab her with scissors, almost killed her, hated her reputation, and kidnapped her brother, more because the author decided that if the villain went to Prison will become more and more angry and angry towards women. Drama makers make money but ignore their social responsibility. According to Adnan Siddiqui, men see more women than Meray Pass Tum Ho, which is not a surprising statistic because the show flips the usual Pakistani drama plot line by making the man a victim of marital infidelity. While women usually forgive for kidnapping their wrong partners, betrayal, neglect, physical violence, and mental abuse in the last episode of a perpetual happy scenario, somehow, I don't hold your breath because Mahwish forgives after watching so much of Khalil Rahman Qamar’s drama, I think there are some attempts in halal in episodes Suffix. I hope I am wrong because halal is hateful and hated, and with good reason: divorce is divorce and people must move forward. Meanwhile, the interviews indicated more chaos, including murder or two - something that looks much more exciting than the endings of the usual wills in other Moon's works.Mere Paas Tum Ho