Aik Pal
Alvida
Ashk
Aunn Zara
Besharam
Bilqees Kaur
Bin Roye
Bunty I Love You
Chup Raho
Daastan
De Izajat Jo Tu
Deewana
Verna :Verna has been getting combined critiques and that i had no specially excessive hopes of this film despite the reality that became directed and written by means of the legendary Shoaib Manzoor, maker of the unforgettable Khuda kay leeye and the tough-hitting Bol. My perseverance paid off , i might say that this changed into one of those rare movies that no longer handiest supplies at each predicted level however forces the viewer to think out of the cozy field of expectancies and norms that we use to anesthetize ourselves from a number of the horrors of life .
Rape shouldn’t be a part of everyday existence however even a cursory look at the information headlines will show any questioning person that these unpleasant realities of sexual assault are there, simply on the periphery of our vision . Sexual assault as a weapon of conflict is used to humiliate and subjugate complete populations , even as sexual harassment is used to govern and dominate women in supposedly more civilized settings. Critics maybe taken aback to see a rape victim shaking with anger , determined to seek justice no matter the value but this is the tale of Verna .Down load (2)
Verna Cast
- Naimal Khawar as Mahgul; Aami's sister
- Rasheed Naz as Khanzada
- Salmaan Shaukat as Jamil
- Mahira Khan as Sara
- Shahid Mir as Judge
- Shehzad Mir as MNA Khawaja
- Iram Rehman; a lawyer who is Sara's friend
- Shahnaz Aftab
- Malik Ata Muhammad Khan as Raees
- Tariq Rahim
- Haroon Shahid as Aami; Sara's husband who is disabled
- Zarrar Khan as Sultan; son of a Governor running for Prime Minister; Sara's rapist
- Shahnawaz Zaidi
Verna
Bathed in cool blue mild , Shoaib Manzoor offers us an unrelenting mystery , arming his heroine with all of the purpose and righteous anger typically reserved for a male protagonist . A female kidnapped on a flimsy excuse , tortured and raped for 3 days earlier than she is returned to her helpless family like a used piece of furniture . Mahira Khan is not anything quick of spectacular as Sara , her ache , her misery are the fire which forges the metallic in her soul . She not handiest needs her existence back , she wants her honour and recognition back . A lady who refuses to at once forgive her rapist for the sake of her circle of relatives , a girl who refuses to weep herself to death or for one moment permit herself to be responsible for some thing , no wonder some people are burdened . These trappings of unbiased notion and sheer cussed will aren't typically allowed to ladies . They ought to plead , they must tremble , they ought to suffer and in the event that they don’t they're cast as unnatural , “ victim as warrior “and the listing goes on due to the fact dignity and honour are luxurious reserved for men. Mahira Khan has brought a enchanting overall performance, sporting the whole movie on her very capable shoulders and from the initial box office reviews it seems as though the public is of the same opinion .Verna 1
Verna
This movie has some first-rate performances and the first-class surprise is Haroon Shahid whose debut overall performance is a simple but quite powerful portrayal of a man lost at sea . He actually is an everyman : a little susceptible , a touch flawed however in the long run better than he supposes .He's racked by using doubt and inadequacy so he fills the gaps in his own knowledge of the state of affairs with anger and frustration . However , as with all good man he steps up and rises to the occasion pushing aside his inner most fears to assist his spouse . Zarar Khan essays a nicely practised, very convincing performance as a chilling villain ; the childishly, merciless feudal son , convinced of his personal singular significance and the right to dominate lesser mortals .His studied cool and lack of situation is the actual heart of darkness in this movie.The systematic collusion of government, police and courts that is proven is nothing audiences are unexpected with . But it’s not the court docket machine which defeats Sara’s tries at to get justice but her own family’s determined try to mitigate the disgrace . The feudals and politicians aren't weighed down with notions of propriety and virtue , they don’t waste time in introspective self-flagellation , like the so-referred to as Shareefs. No Mullah questions their son’s mode of get dressed or behaviour. There are a several memorable dialogues on this well written , surprisingly efficient script that hit right to the heart of the matter .
we have all heard of the rights given to girls through Islam , however while will Muslims clearly supply the ones rights to women ?”Asks Sara , outraged at having her person publicly evaluated by the dearth of a scarf on live television .My importance as a female is in one vicinity of my body” is every other line that stuck the essence of Sara’s predicament.Shoaib Manzoor’s script makes its mark without the use of the sort of flowery Urdu and lambey dialogues about Mohabbat and emotions that we're used to. Its spare , sharp conversations get the point throughout conveniently,placing the tone for a film which sets a continuing tempo . That’s not to say the film is ideal . Numerous the songs could have been trimmed and with some crisper editing the film might have been tons faster paced and shorter by means of approximately twenty mins.
Verna
Any other drawback is the way Verna keeps the Pakistani drama subculture of rape victims with distant fathers and cold , emotionally unavailable moms who share no rapport with their youngsters. Rather than comforting or defensive their daughter the mother and father are extra involved about their public image , no female with Sara’s excessive self-esteem and courage should possibly be raised by way of such insects. Perhaps the most tough point for me to swallow was that Sara would permit the villain access to her one more time in her quest for justice , however ladies may be just as ruthless and self destructively irritated as guys whilst pushed some distance sufficient.
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